Sound Analysis.
The sound analysis of these cables was done using 64 Audio U18t with Lotoo’s LPGT, playing a selection of the test tracks, such as Agnes Obel “The curse”, Sandro Cavazza “So much better” (Avicii remix), C-Bool “Never go away”, Ed Sheeran “Shape of you”, Counting Crows “Big yellow taxi”, Galantis “Hunter”, Alan Walker “Darkside”, Iggy Azalea “Black widow”, Indila “Boite en argent”, Robin Schultz “Oh child”, David Elias “Vision of her”, and Michael Jackson “Dirty Diana”.

In my opinion, cable doesn’t have a “sound” which you can describe by itself like IEMs in terms of lows, mids, treble. Cable is a medium that could shape up and fine-tune the sound signature or expand the soundstage perception, something you can describe relative to IEM under the test or relative to another cable you compare it to. What you hear is a synergy between 3 elements in the sound chain: the source, the cable, and IEMs. Thus, it’s easier to describe the sound when you replace one of these elements and note the change associated with it.
Seems that across multiple pair ups and comparisons I found Athena to deliver a consistent improvement in lifting and extending the sub-bass rumble, making mid-bass impact a little more noticeable, adding more body to mids/vocals, making them smoother, more natural, richer in tonality. Also, it takes a little bit of edge off the treble, reducing some sparkle. But to my surprise, with all these smoother changes described above, the speed of the sound didn’t change. It still maintained its pace without slowing down or becoming laidback.
Athena will have a good pair up with IEMs where you want to fine tune the mids/vocals, to give them more smoothness without taking away the resolution, to make them sound more natural without slowing down the speed. Also, works great with IEMs where you want to keep sibilant peaks under control.

Comparison.
Consistent with my cable testing philosophy, I used the same IEM (64 Audio U18t) and only changed one variable at a time to note the sound difference I hear while keeping volume matched. Keep in mind, I’m describing how these cables sound with 64 Audio U18t IEM.
SA Athena vs Leo II octa (8 conductors) – This comparison was a bit of a surprise to me, considering similarity in wire material, I was expecting to hear a very similar sound response. I found the bass to be very similar, perhaps with a touch more rumble in Leo II versus a little more impact with Athena which made U18t bass with Athena a little bit faster. Treble was identical, or nearly identical, with the same airiness and extension. Mids/vocals is where I hear more difference, not exactly night and day, but with Leo II upper mids are a little more revealing, even a little brighter in comparison to mids with Athena being a little smoother and more organic. I went many times, back’n’forth and even tried a blind test, and I can still spot the difference. In theory, I wouldn’t say one is better or worse than the other, which is a big compliment for a cheaper priced Athena, but it’s just a matter of a personal preference, if you want more transparent mids, go with Leo II, but if you want fuller more natural mids – Athena is a good pair up for it.
SA Athena vs PlusSound Tri-Silver (4 conductors) – the difference between these two cables is more noticeable, though 8 conductors vs 4 conductors will result in a lower impedance of the cable (8 wire) which can affect the sound. Starting with a bass, I hear U18t to have the same amount of sub-bass rumble with both cables, but the mid-bass impact is stronger with Athena. While the difference in bass is not that big, upper mids and treble difference is more noticeable. With tri-silver U18t mids sound brighter, more revealing, and treble is a lot crisper, while with Athena the mids/vocals are more neutral and more natural and treble is also a little smoother, crisp but not with the same amount of sparkle. Of course, it’s just a matter of a personal preference, depending on if you want to fine tune the sound of your IEMs to be smoother, more organic, or brighter and more revealing.
SA Athena vs PWA 1960 4wire (8 conductors) – in this comparison, the difference was also noticeable. Not so much in bass since the bass impact and depth are very similar, perhaps with Athena going a little deeper in rumble which gave 1960 a little faster attack. Mids are also a little brighter in 1960, in comparison to more natural tonality of mids in U18t paired up with Athena. Actually, the effect of 1960 cable on mids was somewhere between Athena and PlusSound. But the treble is where I hear the most noticeable difference. 1960 treble is a lot brighter and crisper, I don’t find it fatigue, but it just very crisp and airy, while Athena treble is a lot smoother and more natural. Obviously, with Athena cable U18t treble is not rolled off, but the peaks are more under control which gives an overall sound a smoother and more natural tonality.


Great review as always, Alex. Just wondering, how does the imaging / separation / soundstage depth / overall “holographicness” of Athena compare with that of Leo II Octa? Am using U18t and SP1000 SS. Thanks.
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To my ears, Leo II Octa is a little bit better when it comes to imaging and soundstage because of its more transparent tonality (relative to U18t I tested these cables with) which helps open up the sound.
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Thanks, Alex. I’ve actually auditioned Leo II Octa yesterday after reading your review of it. The pairing was amazing! I can literally “hear everything”. Now, say that I want to keep the same level of transparency, imaging, and soundstage from U18t (with M15 apex module) but, at the same time, tone down the sound’s brightness a bit. Which cable, if any, would you say could possibly do that?
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Leo II octa is a more natural tonality cable (relative to U18t). I tested U18t with a lot of cables in the past, and some could have been a bit warmer in tonality, but at the expense of loosing some transparency and resolution. Leo II Octa is a golden alternative. Btw, have you tried different eartips with U18t? Their foam ones are actually not bad at all, and it can tame down a bit of a lower treble.
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Great~ I’ll give the foamies a go. Thanks again. For now, I’m using a pair of DIY hybrids [SpinFit 155 fitted with Howard Leight MAX foams] 🙂
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Which cable you like the most when pair up with Fourte Noir?
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I like Han Sound Audio redcore cable and EA Leo II 8wire
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Great review as always, Twister. Thanks! Right now, I’m looking for a hybrid/tribrid for studio recordings and EDM (longing for some DD bass). My current setup is entirely based on your great recommendations, being: AK SP1000 SS w/ Amp+U18t+Leo II Octa (best I’ve heard for live recordings and concerts). I now have my eyes on Nio, Halcyon, Sultan, OG Fourte, and Legend X, with hopes to get well controlled bass, full-bodied, vivid, clear and transparent vocals, coherent tonality, holographic imaging and resolution. I have a single-crystal silver cable and a Brise Audio Yantono 4w cable ready for pair up along with a handful of tips for tip rolling. Would too be willing to invest in a X6 or X8 PPH (or any other similar grade cable) down the road. So out for named iems (or iem+cable+tip combo) would you say could perhaps fit the bill? And, does 64A’s LID tech really limit the effect of cable rolling? Thanks again!
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Since you already have U18t, sounds like you want something similar with more bass? Nio might fit the bill, but it’s not as vivid as its big brother. LX bass will make your ears bleed. How about VE Elysium? It ruined U18t for me lol!!! VE guys used BA for bass and DD for mids, and EST for treble. Need to play with eartips to get a good seal which helps with a bass, but those mids are something else… But, I’m also digging Nio a lot lately, especially with fir audio N0 new module (64audio M0 own module attenuates bass too much). Regarding LID tech on cable rolling, LID tech (in a nutshell, just a clever crossover design) only limits the effect of the source output impedance variation, and shouldn’t have anything to do with a cable rolling.
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Hi Alex. I want the most amount of subbass possible for my EE Nemesis and LX. Is Athena the best candidate or is there any other cable out their that is better. I am looking to stay under $1000.
Regards,
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The problem with some other cables is that you could boost the bass but at the expense of loosing some resolution and adding more coloring. Satin Audio cables probably have one of the best values for premium wires, and they just updated their connectors with higher quality ones.
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Hi Alex, Really do appreciate the reply. Have you come across the ares ii+ by any chance? I am deciding between that (which is locally available in sydney) or the athena.
Regards,
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Ares II is LX stock cable. Don’t have + but it will have thicker wires and a little lower impedance. Shouldn’t yield too much difference, but if you get a chance why don’t you try it?
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I do plan on trying out the demo but have been a little cautious to take the train to the shop due to the virus. 🙂
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